Research and Me

It's that time again - time for the fourth blog challenge from Julie Palmieri and Serenade Designs. This one is going to be a challenge for me, one that I continue to struggle with even after 22 years of being a professional and continuous practice on this task. Here's the task:
This week’s challenge is to pick a current research article or chapter of a book that is closely related to your target audience and summarize it.
If you read this blog on a regular basis, first of all, THANK YOU! Secondly, you may have noticed that I try to do something like this on Sundays. But, for some reason, research has always been a bit of a disconnect for me. I know how to read it, how to interpret it, but it doesn't really connect with my day-to-day interactions with clients. As a result, I don't spend lots of time reading research in order to make my music therapy practice more strong, I read theoretical texts to strengthen my relationship with music and to become a better music therapist.
***NOTE: This topic is a bit difficult to write about because I have spent years wondering why I feel the way I feel about this. Other therapists seem to soak in all of the bits and pieces of each and every journal, making inferences, and changing what they do to reflect conclusions that come up in the journals. I don't. I don't do any of that. I read the articles that interest me and take away the conclusions that make sense to me, but I also never take anything as an absolute. I'm not sure why. This is my place to be honest about all things about music, therapy, and me, so there you go. I don't use research the way that others use research. Honesty, even if it reveals something that I'm not comfortable with...***
My chosen text is Music Therapy: A Fieldwork Primer, by Ronald M. Borczon (full citation at the end of this post).
I am a fan of practical suggestions for music therapists and this short textbook is full of good ideas for how to implement music therapy treatment with clients - almost any and all clients. My copy of this text has been used by me and by interns that haven't already had their own copies. I've added convenient tabs to the different chapters (something I do with all of my important textbooks) so I can flip to different topics quickly.
Borczon addresses topics such as attributes of a music therapist, how to act in the first interaction, and what we can learn from our clients. He also writes about talking, how to work with some difficult clients (some good tips in here, but some that I vehemently disagree with in terms of my own difficult client experiences), building your own style, documentation, and making supervision time relevant. There are lots of things contained in this little beauty of a book, and I am very glad that it is available as a resource. I wish it had been around 15 years earlier for my fieldwork.
I wonder how many internship directors and educational programs recommend this book to music therapy students. From some of the comments I've seen on Music Therapists Unite lately, there are some academic folks out there using the text, but not lots and lots. Ooh, this might be the foundation for an intern webinar for the next series...
Borczon, R.M. (2004). Music therapy: A fieldwork primer. Gilsum, NH: Barcelona.
SMU students use this book for one of their classes.
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