Systems Sunday: My Composition/TME Writing Kit
Lo and behold, I have found yet another system to share on this Sunday morning. Today, I'm going to talk about my composition/TME writing kit. This is a box of materials that I keep at work so I can compose while I am doing something else - usually as I am doing formal observations of my interns. I can grab a shoe box of materials to keep near me while I am sitting outside the group.
Materials:
- Pencil - always a pencil. I never compose with a pen - this is probably because I've been told that a good musician always has a pencil, but it is really because I change my mind often, and pencil marks are easier to erase than pen marks. Right?
- Index cards - 4X6 inches. These are my go-to composition tools. I write the words on one line, skip three lines to write the next stanza, and then I use the blank lines to indicate rhythms, notes, and chord structures. If I mess up horribly, I can always rip up the card and start over, or erase the entire thing.
- Post-it notes - 3X3 inches. These are where I put my TME ideas for my compositions. If I am REALLY organized, I have post-its for each of my color-codes for therapeutic domains.
The storage is only part of my system, though. I can't forget the "how I use this to make my life easier" portion of any of these systems, so here's how I use this one...
While I am in a composing type of mood, the ideas often come fast and furious, so I use my index cards to keep track of melody snippets and thoughts and whatever arrives in my head. When it is time to figure out a new song, I write the title of the song at the top of the card along with the date of composition. I also include any sort of source material or dedication. Then, I start to compose.
When I'm in the middle of a music therapy session observation, I can't do what I do when I compose away from a session - I can't really sing or move over and play the keyboard while an intern is trying to lead a TME with clients, so I make guesses about what the melody is and I write down all the guesses. I am horrible at rhythmic notation, so I approximate what I think the rhythm is until I can put it into a notation program to see if what I wrote approximates what I hear in my head.
Many times, I use more than one index card for compositions and TME development. I continue the labeling of TME/song title and date along with a card sequence indicator. As I am working on various parts of the compositions, I often find myself leaping ahead to adaptations, extensions, and variations of the original idea. These go on another index card. As I finish up the brainstorming and development process, I can attach these cards to one another until I get ideas into my digital file.
After I have finished a melody line, a rhythm approximation, and a chord structure, it is time to start formalizing the song into a therapeutic music experience (TME). This is where my TME system comes into play.
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At the end of this process, my index cards either go into the trash can (if I have mined all the information from them) or they go into my archive box (where I can keep working on them at a later date).
Systems, systems everywhere!
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